Twyla Tharp
Full Name and Common Aliases
Twyla Tharp is a name synonymous with innovation in the world of dance. Born as Twyla Tharp, she has no widely recognized aliases, but her name alone has become emblematic of creativity and excellence in choreography.
Birth and Death Dates
Twyla Tharp was born on July 1, 1941. As of the latest available information, she is alive and continues to contribute to the arts.
Nationality and Profession(s)
Twyla Tharp is an American choreographer, dancer, and author. Her work spans across various forms of dance, including ballet, modern dance, and Broadway, making her a versatile and influential figure in the performing arts.
Early Life and Background
Twyla Tharp was born in Portland, Indiana, and raised in a Quaker household. Her family moved to Southern California when she was a child, where her parents owned and operated a drive-in movie theater. This unique environment exposed her to a wide array of cultural influences from an early age. Tharp's mother, a piano teacher, encouraged her to pursue music and dance, enrolling her in ballet, tap, and jazz classes. Tharp attended Pomona College before transferring to Barnard College in New York City, where she graduated with a degree in art history. It was in New York that she immersed herself in the vibrant dance scene, studying under renowned figures such as Martha Graham and Merce Cunningham.
Major Accomplishments
Twyla Tharp's career is marked by numerous accomplishments that have cemented her status as a pioneering force in dance. She founded her own dance company, Twyla Tharp Dance, in 1965, which became a platform for her innovative choreography. Tharp's work is characterized by its blend of classical and modern dance techniques, often incorporating elements of jazz, pop, and even social dance forms. Her ability to transcend traditional boundaries has earned her numerous accolades, including a Tony Award for Best Choreography for the musical "Movin' Out," which featured the music of Billy Joel. Tharp has also received multiple Emmy Awards for her television work, further showcasing her versatility and talent.
Notable Works or Actions
Among Twyla Tharp's most notable works is her collaboration with the Joffrey Ballet on "Deuce Coupe," set to the music of The Beach Boys, which is often credited as the first crossover ballet. Her Broadway productions, such as "Movin' Out" and "Come Fly Away," have been celebrated for their dynamic choreography and innovative use of popular music. Tharp's work extends beyond the stage; she has choreographed for films, including "Hair" and "Amadeus," and has authored several books, including "The Creative Habit: Learn It and Use It for Life," which offers insights into her creative process.
Impact and Legacy
Twyla Tharp's impact on the world of dance is profound and enduring. She has redefined the possibilities of choreography, breaking down barriers between different dance genres and creating a unique style that is both accessible and sophisticated. Her influence is evident in the work of countless choreographers who have followed in her footsteps, inspired by her fearless experimentation and commitment to artistic excellence. Tharp's legacy is not only in her choreography but also in her contributions to the broader cultural landscape, where she has championed the importance of creativity and innovation.
Why They Are Widely Quoted or Remembered
Twyla Tharp is widely quoted and remembered for her insightful perspectives on creativity and the artistic process. Her quotes often reflect her belief in the power of discipline, hard work, and the importance of taking risks. Tharp's ability to articulate the nuances of the creative journey resonates with artists and non-artists alike, offering valuable lessons on perseverance and the pursuit of excellence. Her work and words continue to inspire those who seek to push the boundaries of their own creative endeavors, ensuring her place as a revered figure in the arts.
Quotes by Twyla Tharp
Twyla Tharp's insights on:
You can only generate ideas when you put pencil to paper, brush to canvas when you actually do something physical.
People want very much to simplify their lives enough so that they can control the things that make it possible to sleep at night.
The disaster is not the money, although the money will be missed. The disaster is the disrespect – this belief that the arts are dispensable, that they're not critical to a culture's existence.
Modern dancers should be doing things no one else is doing, and it should come from the gut.